An aria is characterized by: a) tuneful and highly emotive melodies. The plot of the opera concerns the tragic love of Queen Dido of Carthage for the Trojan hero Aeneas (based on Virgil's Aeneid). Distraught at his betrayal, she orders a pyre to be built and set ablaze so that Aeneas will see from his ship that she has killed herself. It also includes tenor and bass parts in the choruses that … Belinda Basso Harpsichord See, Editor: John Henry Fowler Andante ( Revision: 6-24-2006 ) [Aeneas enters with his train] f see, Recit. It does not include the music for the prologue – likely because its thinly veiled political message was no longer relevant. As Dido’s maiden Belinda, soprano Lindsay Ohse is a steady thread from beginning to end. Nicola Wemyss’ Dido is quite nice, & her final aria moving & effective. Aeneas arrives in Carthage. Opera: Dido and Aeneas Composer: Purcell Act: 1.02. Deserted by her lover, Aeneas, Dido sings her final lament, knowing that she must die without him. Role : Belinda, Dido's maid Voice Part : soprano Fach : lyric soprano|soubrette Setting : A countryside near Dido's palace, Ancient Carthage Range : G#/Ab4 to G5. Dido and Aeneas, Z. Purcell - Dido & Aeneas - When I am laid in earth (Dido's . Suddenly Aeneas returns, but Dido is full of fear before Aeneas speaks, and his words only serve to confirm her suspicions. The opening recitative secco, "Thy hand, Belinda", is accompanied by continuo only. CHORUS. Recitative: Thy Hand, Belinda 37. Aeneas is a Trojan hero, the son of a prince and the goddess Venus, and one of the few survivors of the fall of Troy. The formal device that is heard in Dido's aria "Ah! Belinda's aria “Thanks to These Lonesome Vales” in Act II of Henry Purcell's Dido and Aeneas; from a 1952 recording featuring soprano Elisabeth Schwarzkopf and the Mermaid Singers and Orchestra conducted by Geraint Jones. It recounts the love story of Dido, Queen of Carthage and the Trojan hero Aeneas, and her despair at his abandonment of her. However, some witches living near Carthage, who hate Dido, remind him that he is fated to go and be the founder of the Roman Empire. displaying her desperate cry with urgency as she prepares for her fate: death. Dido's Lament. Dido's Lament is the aria "When I am laid in earth" from the opera Dido and Aeneas by Henry Purcell (libretto by Nahum Tate). Type: aria Voice: soprano Language: English. Dido and Aeneas, Z. She sings the lament before stabbing herself as Aeneas sails on. 8 ) ap pears; - How god like -is the Henry Purcell form ( 1659 - 1695 ) he f ( 7 # 6 ) f 4 B. Aeneas Basso Hrpscd bears ! __ Henry Purcell: Dido and Aeneas, opera in three acts, Z. b) rapid speech-like declamation. Dido, Queen of Carthage, falls in love with Aeneas, who has landed in Carthage after fleeing from Troy after defeat in the Trojan War. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth" by Anna Prohaska, Il Giardino Armonico & Giovanni Antonini, 252 Shazams, featuring on Henry Purcell Essentials, and Il Giardino Armonico Essentials Apple Music playlists. Dido and Aeneas, Teatro Real Madrid 2019 “Surprising and highly effective the performance of Aphrodite Patoulidou as Belinda: she is graceful, refined, she has a very beautiful voice, whispering and gives body to a necessary character. Belinda, I am pressed with torment not to be confessed. Analysis. Belinda, I am prest with torment’ (tr. Stream songs including "Dido and Aeneas, Overture", "Dido and Aeneas, Rec. These include a repetitive bass line, a ground base, and other changing parts over the top. Dido’s Lament – Music Video. Synopsis: Belinda tries to cheer up Dido, asking her to wipe the sad look from off of her face and think of all the good things she has. Range: Tessitura: D#/Eb4 - G5. Surrounded by her attendants in her court, Dido, Queen of Carthage, is inconsolable. Click to see full answer. Then Aeneas decides to reject the order of the gods and to stay. Communal. Voice Part- All. The latter appears and explains to Dido that the gods are forcing his departure. Dido enters with her aria ‘Ah! Dido and Belinda talk for a time: Dido fears that her love will make her a weak monarch, but Belinda and the … I languish till my grief is known Yet would not have it guessed. Listen to Baroque Opera Arias By Purcell, Handel and Gluck by Amsterdam Bach Soloists, Carolyn Watkinson & Jan Willem de Vriend on Apple Music. DerbyVille.com - Horse Racing Nation - Online Racing - The original large scale horse racing simulation game and management game Dido and Aeneas (Z. The English composer John Blow produced his opera Venus and Adonis, which was partly based on Ovid’s Metamorphoses, with a text by Aphra Behn. The plot of the opera concerns the tragic love of Queen Dido of Carthage for the Trojan hero Aeneas (based on Virgil's Aeneid). 1689 Librettist Nahum Tate (1652–1715), after Virgil (70 BCE-19 BCE) Language English Composer Time Period Comp. Communal. 626/26) Aria (Belinda) and Chorus: Haste, haste to town (Z. What are the three parts? Belinda is trying to cheer up Dido, but Dido is full of sorrow, saying “Peace and I are strangers grown.” Belinda believes the source of this grief to be the Trojan Aeneas, and suggests that Carthage’s troubles could be resolved by a marriage between the two. The last aria from the baroque opera"Dido and Aeneas" written by Purcell on text of Nahum Tate in 1689 Ukrainian translation Ukrainian (equirhythmic, metered, poetic, rhyming) Дідонин плач Download and print in PDF or MIDI free sheet music for Dido And Aeneas, Z.626 by Henry Purcell arranged by HoltSkinner for Violin, Cello, Soprano, Tenor & more instruments (Choral) ... DA2017 8 Recitative Dido-Belinda-Aeneas See, see, your royal guest. Roles: Belinda With Drooping Wings Year/Date of Composition Y/D of Comp. Dido and Aeneas. Francine van der Heijden’s Belinda feels a little nagging, & her voice not sufficiently contrasted to Wemyss. The Aria Database - Database Search Results. Dido’s final aria, “When I am laid” is widely known as the most popular aria in “Dido and Aeneas.” Notably, what sets this aria apart from other famous passages outside of this opera is the access it gives listeners into the heart of a proud queen just before she commits suicide and into the soul of the singer portraying Dido. 5 Recit ‘Whence could so much virtue spring’ - Dido. - Dido - Belinda - Aeneas your Dido and Aeneas roy al ( Mvmt. 626: Act III, 37. Belinda is trying to cheer up Dido, but Dido is full of sorrow, saying This is the case here, too, so Didoâ s Lament would be considered homophonic in texture. DA2017 35 Aria, duet - Dido-Belinda-Aeneas. Aria (Second Woman): Oft she visits this lov'd mountain (Z. Describe those features in the music which underline Dido’s state of mind at this point (A2 2010) Recitative In Mouillon’s care, Aeneas departing aria filled with heartfelt sorrow, while convincingly acting out his love for Dido. Like the various parts in their music, the Mbuti Pygmy culture is _____. Language- All. The opera is based on the story of Dido and Aeneas from Book IV of Virgil's Latin Epic Poem, Surrounded by her attendants in her court, Dido, Queen of Carthage, is inconsolable. Her sister and handmaiden, Belinda, tries desperately to cheer her up, but Dido is depressed, saying that she and peace are nothing more than strangers now. Belinda tries to cheer Dido. Ostinato. Belinda," from Dido and Aeneas, as well as in the Mbuti Pygmy "Marriage Celebration Song," is called _____. Soprano, Tenor, Harpsichord, Cello. 626) [. In addition, there are also other popular songs that use this technique. Peace and I are strangers grown. Original text and translations. The plot of the opera concerns the tragic love of Queen Dido of Carthage for the Trojan hero Aeneas (based on Virgil’s Aeneid). Belinda Basso Harpsichord See, Editor: John Henry Fowler Andante ( Revision: 6-24-2006 ) [Aeneas enters with his train] f Recit. 1 ] is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. Carolina Krogius - Dido. Purcell's Dido and Aeneas is based on a story from The Aeneid, an epic poem by Roman poet Vergil (70-19 BCE). As Dido’s maiden Belinda, soprano Lindsay Ohse is a steady thread from beginning to end. mf When, when, 35 ) Your coun - allsel is urg'd in vain, Henry Purcell To ( 1659 - 1695 ) earth and p mp f p 5 Dido B heav'n I will com plain; - p Toearth and heav'n why do I call ? Matthew Baker does a creditable job in the ungrateful role of Aeneas (the opera could have just been titled Dido), & … Matthew Baker does a creditable job in the ungrateful role of Aeneas (the opera could have just been titled Dido), & … Aria (Second Woman): Oft she visits this lov'd mountain (Z. Autorem libreta byl Nahum Tate na téma čtvrté knihy Vergiliovy Aeneidy. Cast. Queen Dido is mourning her dead husband, a man to whom she swore eternal fidelity. Dido is distraught and Belinda comforts her. 'Thy hand, Belinda' and 'When I am laid in earth' are from near the end of the third and final Act of Dido and Aeneas, the only opera Purcell. The ground bass pattern is comprised of largely of … Dido Basso Harpsichord Editor: John Henry Fowler ( Revision: 6-10-2006 ) Adagio Aria / Duet - Dido - Belinda - Aeneas Dido and Aeneas p ( Mvmt. Skládá před rokem 1688. Aeneas is in love with her. Nicola Wemyss’ Dido is quite nice, & her final aria moving & effective. c) homorhythmic choral singing. Dido, queen of Carthage, cannot bring herself to admit her love for the Trojan prince Aeneas, a guest at her court; he is soon to resume his journey in search of a site for a new city to replace Troy. Pursue thy conquest, love, Belinda's aria from Dido and Aeneas Pursue thy conquest, love, Her eyes confess the flame her tongue denies. 'Thy hand, Belinda' and 'When I am laid in earth' are from near the end of the third and final Act of Dido and Aeneas, the only opera Purcell. Moving on, 'Ah! 'Thy Hand, Belinda' - Aria 'When I Am Laid In Earth'" and more. b) a group of girls at a boarding school. It is included in many classical music textbooks on account of its exemplary use of the passus duriusculus in the ground bass. Great minds against themselves conspire, And shun the cure they most desire. Belinda's aria “Thanks to These Lonesome Vales” in Act II of Henry Purcell's Dido and Aeneas; from a 1952 recording featuring soprano Elisabeth Schwarzkopf and the Mermaid Singers and Orchestra conducted by Geraint Jones. Dido's lament. The final aria from Purcell’s Dido and Aeneas, often referred to as “Dido’s Lament,” is one of your listening pieces for the Baroque. Dido a Aeneas je opera Henryho Purcella o předehře a třech jednáních. Recit ‘See, see your royal guest appears’ - Belinda, Aeneas, Dido. It turns out that this recording is 52:54 long, against EMI's 58:33, for instance. Belinda," from Dido and Aeneas, as well as in the Mbuti Pygmy "Marriage Celebration Song," is called _____. Belinda, Dido's aria from Dido and Aeneas Ah! G4 - D#/Eb5. The story for Dido and Aeneas was adapted from part of the Aeneid by Virgil. Tessitura : A5 to F5 Synopsis : Belinda sings of the surrounding countryside's beauty. aamann pro. 6 Duet and Chorus ‘Fear no danger to ensue’ - Belinda, 2nd Woman. G4 - D#/Eb5. Jeff Buckley - Dido's Lament Übersetzung (h.purcell) This is a piece, for a soprano voice, from dido and aeneas, an opera composed by henry purcell in 1681. jeff performed it live in his exhibition at meltdown festival, london, on july 1 1995. The formal device that is heard in Dido's aria "Ah! And what a Dido! Listen to the anxiety in her voice in her first aria, "Ah Belinda, I am pressed with torment," or her pique when she impulsively spurns Aeneas in Act III ("Thus on the fatal banks of Nile"). False Early opera was originally designed to reflect the manner in which seventeenth-century aristocrats sang their conversations to each other on a daily basis. Away, Away! 1688 in London First Pub lication. Belinda's aria “Thanks to These Lonesome Vales” in Act II of Henry Purcell's Dido and Aeneas; from a 1952 recording featuring soprano Elisabeth Schwarzkopf and the Mermaid Singers and Orchestra conducted by Geraint Jones. Henry Purcell's song setting of Shakespeare's “If music be the food of love” from Twelfth Night, sung by Gillian Humphreys. Ostinato. Synopsis: Dido is devastated. Type: aria Voice: soprano Language: English. PD. "Thanks to These Lonesome Vales" (Belinda, Choir) English Chamber Orchestra , Anthony Lewis , Patricia Clark , Saint Anthony Singers Dido and Aeneas dates from 1777 and is at least three stages removed from Purcell’s original. Opera- Dido and Aeneas. In one interpretation, Dido's relationship with Aeneas is portrayed in this moment as an "apocalyptic romance". Dido and Æneas - Henry Purcell 1689Dido : Malena Ernman (sublime performance)Acte IIIMovt. In the aria that follows, Dido expresses to Belinda the hope that after her death, Dido's wrongs will cause Belinda "no trouble in thy breast." A mű keletkezésének időpontját nem ismerjük, bemutatója 1689-ben volt, a Chelsey-i … - recitative ("Thy hand, Belinda") - aria ("When I am laid to earth") - chorus ("with drooped wings") … While scholars and fans of opera would know exactly what piece is indicated by the popular label “Dido’s Lament,” recitatives and arias are technically titled according to their first line—in this case, “When I am laid in earth.” Belinda assumes Dido is concerned about Aeneas, "the Trojan guest". Dido and Aeneas. Sarah Connolly is the third Chandos Dido. On the other hand, Lynne Dawson, who does a marvelous job with Belinda on this recording, IS perfectly suited to this opera. No. c) no one, since stage plays were outlawed. Imitation in Three Voices 6. The plot of the opera concerns the tragic love of Queen Dido of Carthage for the Trojan hero Aeneas (based on Virgil's Aeneid). Belinda… 1 ] is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. 626/25a) Ritornello: A Dance to entertain Aeneas by Dido's Women (Z. mf DA2017 36 Chorus - Great minds against themselves conspire. Her confidante Belinda and her courtiers persuade Dido to speak her … This is my third Dido and Aeneas recording, and I was struck by how rushed some of the parts are, in particular Belinda's parts. The last aria from the baroque opera"Dido and Aeneas" written by Purcell on text of Nahum Tate in 1689 Ukrainian translation Ukrainian (equirhythmic, metered, poetic, rhyming) Дідонин плач Dido is obviously in love with him. 8 Chorus ‘Cupid only throws the dart’ No. aamann pro. Title: Dido and Aeneas (Act 3), excerpts, An Opera Act III, Opening Recitative: “Thy Hand Belinda,” sung by Dido Aria: “When I am laid in earth,” Dido’s Lament Composer: Henry Purcell I. Melody (The melody was chromatic and has small range.) Based on book IV of Virgil’s epic poem, The Aeneid, Henry Purcell may have composed his first and only all-sung work around 1685, or perhaps even earlier. 37. choruses 626/3 1 Ah! ÆNEAS. DIDO. Word painting is applied on the text "darkness" and "death" which is presented with chromaticism, symbolic of death. Dido and Aeneas was first presented in 1689 by: a) the Royal Opera of England. 36. On what is Dido and Aeneas based? Dido's Lament, Dido's aria from Dido and Aeneas When I am laid in earth, MAy my wrongs create, No trouble in thy breast. Remember me! 626: Act III “Thy Hand Belinda” / Dido’s Lament “When I am Laid in … 626/26) Aria (Belinda) and Chorus: Haste, haste to town (Z. Dido and Aeneas, Z. Her sister and handmaiden, Belinda, tries desperately to cheer her up, but Dido is depressed, saying that she and peace are nothing more than strangers now. The new Italian opera was embraced in all Western European countries. 9 Recit ‘If not for mine, for Empire’s sake’ - Aeneas The story is based on Book IV of Virgil 's Aeneid. Thy hand, Belinda; darkness shades me, On thy bosom let me rest; Original text and translations may be found at Dido and Aeneas. Mixed Ensemble. – It moves the story on, with no repetition of text. Roles: Belinda The last aria from the baroque opera"Dido and Aeneas" written by Purcell on text of Nahum Tate in 1689 Dido és Aeneas – keletkezés, tematika, szerkezet A Dido és Aeneas egyedülálló alkotás és egyben kivétel a Purcelli életműben, mivel egyetlen olyan színpadi mű, amelyet elejétől végéig éneklést igényel. This most famous excerpt from the opera, Dido and Aeneas, can be counted among the finest moments in all of opera. Last week I worked on a little music project, arranging and recording an electronic version of Henry Purcell’s great aria Dido’s Lament (technically it is named “When I am laid in Earth” but everyone knows it as “Dido’s Lament”) . as Belinda. As Belinda, Celine Scheen‘s gentle voice comforted, though at times it sounded too fragile. 626/25a) Ritornello: A Dance to entertain Aeneas by Dido's Women (Z. It is so. Myth of Dido and Aeneas. Marc Mouillon provided a class act as Aeneas: clear diction with enveloping warmth. Virgil’s Aeneid. Range: Tessitura: D#/Eb4 - G5. b) a group of girls at a boarding school. Thy hand, belinda, darkness shades me Belinda I am pressed with torment (from "Dido and Aeneas"), aria for soprano, Z. The principal components of opera include arias, recitatives, overtures, and. The story is based on Book IV of Virgil's Aeneid. The first known performance was at Josias Priest 's girls' school in London no later than the summer of 1688. Belinda's aria “Thanks to These Lonesome Vales” in Act II of Henry Purcell's Dido and Aeneas; from a 1952 recording featuring soprano Elisabeth Schwarzkopf and the Mermaid Singers and Orchestra conducted by Geraint Jones. Dido and Belinda enter, shocked at Aeneas’ disappearance. The libretto for Purcell’s opera, Dido and Aeneas, is based on. Synopsis: Belinda tries to cheer up Dido, asking her to wipe the sad look from off of her face and think of all the good things she has. No. 626/25b) Aria (Aeneas, Dido): Behold, upon my bending spear (Z. Your search criteria were: Database searched- role. This video is about Purcell: Dido and Aeneas "Thy Hand, Belinda...When I Purcell: Am Laid in Earth" 'Thy hand, Belinda' and 'When I am laid in earth' are from near the end of the third and final Act of Dido and Aeneas, the only opera Purcell. Despite being composed in England, Purcell's opera Dido and Aeneas has an Italian text. [2] The Aeneid. 626: Act III “Thy Hand Belinda” / Dido’s Lament “When I am Laid in Earth” (arr. The opera's most famous aria and the touchstone for a successful Dido is her final lament, "When I am laid in earth." Dido and Aeneas, ACT 1. Dido’s Lament is the aria “When I am laid in earth” from the opera Dido and Aeneas by Henry Purcell (libretto by Nahum Tate ). In ‘Thy hand Belinda’ and ‘When I am laid in earth’ from Dido and Aeneas, Purcell portrays a character facing death. 38. Translation into Italian by Ugo Berardi (added 1997-12-21) Italian Translation of Pursue thy conquest love, Belinda's aria from Dido and Aeneas … Belinda believes the source of this grief to be the Trojan Aeneas, and suggests that Carthage's troubles could be resolved by a marriage between the two. No 7. No. Belinda explains to Dido that Aeneas is honestly grieving. from Act II of the English opera, Dido and Aeneas by Henry Purcell Libretto : Nahum Tate. Henry Wood) Dido and Aeneas, Z. I cannot shun; Death must come when he is gone. (Exit Æneas) But Death alas! Nejstarší prokázané uvedení provedla v létě roku 1688 Josias Kněz v penzionátu noble v Chelsea, pravděpodobně byl operu, ale dříve uvedených. Francine van der Heijden’s Belinda feels a little nagging, & her voice not sufficiently contrasted to Wemyss. Dido and Aeneas. Listen to Dido and Aeneas, Z. The plot of the opera concerns the tragic love of Queen Dido of Carthage for the Trojan hero Aeneas (based on Virgil's Aeneid). The plot of the opera concerns the tragic love of Queen Dido of Carthage for the Trojan hero Aeneas (based on Virgil's Aeneid). In this opera, Aeneas meets, woos, and then abandons Dido, the recently widowed queen of Carthage. The first known performance was at Josias Priest 's girls' school in London no later than the summer of 1688. Dido and Aeneas, Z 626 (Henry Purcell) at the Petrucci Music Library (IMSLP) View the Wikipedia article on Dido and Aeneas, Z 626 (Henry Purcell). Based on the mythical story of the love of Dido, Queen of Carthage, and Aeneas, Prince of Troy Aeneas is tricked into leaving Dido. Opera: Dido and Aeneas Composer: Purcell Act: 1.02. But Dido accuses him of taking the commission only as an excuse to leave her. Like the various parts in their music, the Mbuti Pygmy culture is _____. Aeneas falls in love with Dido, but is tricked into deserting her. 1677-88 First Perf ormance. Title: Dido and Aeneas (Act 3), excerpts, An Opera Act III, Opening Recitative: “Thy Hand Belinda,” sung by Dido Aria: “When I am laid in earth,” Dido’s Lament Composer: Henry Purcell I. Melody (The melody was chromatic and has small range.) 6 parts • 11 pages • 02:48 • Jul 31, 2017 • 78 views • 1 favorite. 'Thy hand, Belinda' and 'When I am laid in earth' are from near the end of the third and final Act of Dido and Aeneas, the only opera Purcell. Watch a performance of the aria 'When I am laid in Earth' from Purcell's Opera 'Dido and Aeneas'. Act 1. She has fallen in love with Aeneas, and he with her. DIDO. Watch movie and read libretto and translation of Thy hand Belinda when I am laid, an aria for mezzo or soprano from the English opera Dido and Aeneas by Henry Purcell. 626, Act II, Scene 2: Aria and Chorus. The opening of Act II of Dido and Aeneas begins with a sprightly tune in the style of a. hornpipe. Belinda' and 'When I am laid in earth' are the two arias in Dido and Aeneas that use the ground bass technique. No, no, away, away, To Death I’ll fly. False. To enumerate, Pachelbel's Canon is another popular piece of music the contains a ground bass. Aeneas falls in love with their queen, Dido, but dutifully departs for Italy leaving her. Fleur Bray - Belinda. Philip Smith - Aeneas. The story is based on Book IV of Virgil 's Aeneid. Away, away! Text She confidently leads the chorus urging Dido to open up to Aeneas and is there at Dido’s death. 3). No, no, I’ll stay and Love obey. A monumental work in Baroque opera, it is remembered as one of Purcell's foremost theatrical works. She confidently leads the chorus urging Dido to open up to Aeneas and is there at Dido’s death. 8 ) - guest ap pears; - How god like -is the Henry Purcell form ( 1659 - 1695 ) he f ( 7 # 6 ) f 270 B. Aeneas Basso Hrpscd bears ! 4.7/5 (533 Views . Aria, "Thy hand Belinda, darkness shades me"Movt. 29 Votes) 'Thy hand, Belinda' and 'When I am laid in earth' are from near the end of the third and final Act of Dido and Aeneas, the only opera Purcell. 626/25b) Aria (Aeneas, Dido): Behold, upon my bending spear (Z. High brick walls, a cavernous space, entered via a narrow passage just off a London thoroughfare: Village Underground in Shoreditch is probably not that far removed from the venue in which Henry Purcell’s Dido and Aeneas was first performed — whether that was Josiah Priest’s girl’s school in Chelsea or the court of Charles II or James II. The definitive aria of this work, Dido's Lament, left me feeling cold and grossly disappointed - Trevor Pinnock took it easily twice as fast as Rene Jacobs, and what a waste of a great aria … Based on the tragic meeting of Dido and Aeneas, which occurs in the first part of Virgil’s Aeneid. It concludes, ominously, with the words "Death is now a welcome guest." Aeneas falls in love with Queen Dido of Carthage; malicious witches make Aeneas believe the he needs to leave; furious Dido spurns him and commits suicide. - Dido/Belinda/Aeneas - See, your royal guest see, your Dido and Aeneas roy al - guest ( Mvmt. DIDO. Dido is grief-stricken and prepares for suicide The piece consists of a recitative followed by an aria What is a recitative? ‘Thy hand, Belinda’ and ‘When I am laid in earth’ portray the desperate state of mind that results in Dido’s suicide. An epic is a long-form poem that traces the adventures of a hero. Mixed Ensemble. 626) [. 226 • Overture Act 1 • Aria: Shake the cloud from off your brow • Chorus: Banish sorrow, banish care • Aria and Ritornello: Ah! But Dido is no longer interested. Ground, Aria and Ritornello “When I am laid in earth” (Dido) ( catch-all for arrangements ) Dido's Lament. Dido and Aeneas (Z. Song: When I am Laid in Earth (Dido's Lament) 38. If longer you delay. Dido's Lament is the aria "When I am laid in earth" from the opera Dido and Aeneas by Henry Purcell (libretto by Nahum Tate).
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